
In this session three speakers provided their views on the city as a destination which is supposed to be attractive not only to local inhabitants but as well to tourists. How can a city create a cultural environment that lives up to the expectations of both groups?
Jeroen Boomgaard (Gerrit Rietveld Academie Amsterdam) started his presentation with a short German documentation about Maastricht as a tourist destination, afterwards revealing that all the words describing Maastricht used in the film came from flyers from other European cities. According to Boomgaard, one of the dangers of becoming a cultural capital lies exactly in the search for a specific and unique image, which makes the competing cities look increasingly the same. Maastricht should be careful not to become a non-destination (“onbestemming Maastricht”), which it could become when taking the notion of mobility as its (only) hallmark in the competition for ECOC. The fixation on mobility should be abandoned, and the already ‘established’ image torn down, in order to be able to discover Maastricht’s real cultural value.
In the second presentation, Anne Lorentzen (Aalborg University) talked about the problems that small European cities face due to the economic stagnation. One of the solutions to this problem can be the implementation of place bound experience products. This suggestion is in line with the concept of the experience economy (Pine & Gilmore), arguing that it’s all about staging a vivid and compelling experience. Lorentzen described how the small Danish city Frederikshavn put itself on the map by taking quite remarkable actions such as creating a sand beach with palm trees, or inviting Bill Clinton and Al Gore to public talks. Due to these measures the city came into the limelight in Denmark, and hence noticed an increase in tourism as well as quality of life for the local people. The question that remains is however if these actions have a sustainable future.
The last presentation of the session by Zora Jaurová (Košice 2013 European Capital of Culture) gave an interesting insight into the planning of the bid and event itself of the ECOC in Košice, Slovakia. For Košice, the ECOC project was an opportunity to drastically transform the post-industrial city into a place fostering creativity. For the starting point the cultural diversity in the city was of great importance, being more homogeneous than in most Western European cities. However, most of the people living in the suburbs did not have a real sense of belonging to the city, and one goal of the project was to unite these people with the city. A campaign had to change the idea of the city, by inviting people to “Use the C!ty”. Borrowing from computer technology, the term interface was used to describe a city which enables all of its users to communicate with each other and express their creativity by changing their environment. Old empty Soviet buildings in the suburbs were revived as different cultural centers, leading to a decentralization of culture in the city and giving more people the possibility to engage themselves with cultural production.
Text: Nicolas Heinz
